Det er et ikon af ømhed. Men det er også et symbolsk billede af standhaftig og fremsynet kærlighed, af selvsikker overgivelse til en tro, der "tror på alt, håber alt, udholder alt" og af et uopløseligt forhold mellem synligt og usynligt, immanens og transcendens, menneskeligt og guddommeligt: legemliggjort af båndet fra en mor, der ammer sit blotte bryst, med et sødt melankolsk blik, hendes søn, begge omgivet af engle, Keruber og helgener. Vi taler om maleriet kendt som" Madonna of tenderness": et maleri fra det tredje århundrede (155 cm bredt med 165 højt), af en ukendt forfatter, holdes inde i basilikaen Santa Chiara i Napoli, i kapellet i det velsignede sakrament.
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