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Aiello, the town of sundials

33041 Aiello del Friuli UD, Italia ★★★★☆ 224 views
Simona Illy
Aiello del Friuli
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Aiello, the town of sundials - Aiello del Friuli | Secret World Trip Planner

Aiello has gained the fame of "town of the sundials", a very rich gnomonic heritage that includes over 100 sundials (about one for every twenty inhabitants), but the number is constantly growing. There is no other place in the world that has so many sundials in such a small space. The presence is such that you can organize real itineraries to discover them. This is why the country is ideally divided into seven zones. Zone 1, called "Banda Crauì", along Marconi, Alfieri and Casa Bianca streets, includes 12 sundials; zone 2, called "La Vila", near the Church, includes 11 sundials, among which the peculiar armillary sphere; zone 3, called "Borc dai Fraris", between Battisti and dai Fraris streets, includes 10 sundials; zone 4, called "Pascut", between Petrarca and Alighieri streets, includes 33 sundials, 20 of which are part of the Museum of Rural Life in Imperial Friuli; zone 5, called "Moravissa", contains 12, distributed between via Manzoni and via Cavour; zone 6, called "Banda Uànis", includes 15 along via Cavalleria, among which the gnomonic complex Meridiana Universale; finally, zone 7, called "Uànis", in the hamlet of Joannis, contains 15. But where does this peculiarity come from? In reality, there has never been a historical tradition and everything was born, a bit by chance, when at the beginning of the 1990s the professors Franco and Carlo Bressan, thanks to the involvement of some students, created the first solar dial on the wall of the school (even if in reality the record is due to the Brandis or Sardon mill in the 1800s). Subsequently Carlo built others: one at Molin Novacco and the other on the Perini winery. Until 1993, when Aurelio Pantanali, intrigued and at the same time attracted by sundials, decided to build one, on the family home, having to paint it. At this point, after having completed it, people started to stop him, proposing him to realize others on the walls of private houses. Among the requests received also that of Andrea Bellavite (the current mayor) who commissioned him one for the rectory. Since then, thanks to the Narvarca Cultural Club, the citizens, many artists and gnomonists from all over the region, a wide-ranging artistic, social and cultural project has been set up, which has transformed Aiello into the "town of sundials".

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Frequently Asked Questions

Aiello has earned the title 'town of the sundials' with over 100 sundials—approximately one for every twenty inhabitants—and the number continues to grow. There is no other place in the world with such a high concentration of sundials in such a small space, making it a unique destination for gnomonic heritage enthusiasts.
The town is ideally divided into seven zones, each with its own name and collection of sundials ranging from 10 to 33 pieces. You can organize real itineraries to discover them, such as Zone 4 'Pascut' which includes 33 sundials with 20 housed in the Museum of Rural Life in Imperial Friuli, or Zone 2 'La Vila' which features an unusual armillary sphere.
The sundial phenomenon began unexpectedly in the early 1990s when professors Franco and Carlo Bressan and their students created the first solar dial on the school wall. The real growth occurred in 1993 when Aurelio Pantanali built one on his family home and received numerous requests from neighbors to paint sundials on their private houses, sparking the town's unique tradition.
Key attractions include the peculiar armillary sphere in Zone 2 'La Vila' near the Church, and the gnomonic complex Meridiana Universale in Zone 6 'Banda Uànis' along via Cavalleria. Additionally, the Museum of Rural Life in Imperial Friuli in Zone 4 'Pascut' houses 20 sundials, making it a must-visit for comprehensive gnomonic exploration.
While the modern sundial movement started in the 1990s, historical records credit the Brandis or Sardon mill from the 1800s with the earliest documented sundial in the area. This shows that while not a continuous tradition, Aiello's connection to sundials has deeper historical roots predating the contemporary collection.