In the heart of Naples, within the historic Church of San Severo outside the Walls, a remarkable event took place on December 21, 2019, that fused contemporary art with timeless themes. The Chapel of the Bianchi became home to the permanent exhibition "Veiled Son" by the sculptor Jago, an installation that promises to captivate visitors until December 2025. This masterpiece, carved from a single block of marble, depicts a youth shrouded by a veil, symbolizing the loss of innocence in our times. It draws inspiration from the celebrated "Veiled Christ" by Giuseppe Sammartino, yet while Sammartino's work commemorates a sacrificial death for the collective, Jago's sculpture confronts us with the stark realities of today's world, urging us to face the plight of its innocent victims.
Jago, born in 1987 in Frosinone, Italy, has established himself as a significant figure in the art world, blending traditional techniques with modern mediums. After refining his craft in Rome and Verona, he ventured to New York, where his work took on new dimensions. Known for his adept use of social media and video to share his creative journey, Jago has been aptly dubbed a "social artist." His approach not only bridges the gap between creator and observer but also embeds his sculptures within the broader discourse of contemporary life.
The journey of "Veiled Son" from conception in New York to its final resting place in Naples is a testament to Jago's vision and the collaborative effort behind the project.
Overseen by Luca Iavarone and supported by Coop4Art and the Archconfraternity of the Bianchi of St. Anthony of Padova in St. Severo Massimo, the sculpture's return marks a significant addition to the artistic heritage of the Sanità district. In this way, "Veiled Son" stands not just as a work of art but as a beacon, inviting reflection on the profound themes it embodies within the rich cultural tapestry of Naples.